Leniqueca Welcome
Leniqueca Welcome
Assistant Professor of Anthropology and International Affairs
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Leniqueca Welcome is a Caribbean scholar and artist from Trinidad and Tobago. Her research and teaching interests are postcolonial statecraft, racialization, gendering, securitization, visuality, and affect. Her work combines more traditional ethnographic methods with photography and collage. Welcome is currently working on her first book manuscript which examines criminalization and the operation of colonial technologies of anti-blackness over space and time in Trinidad. By attending to these processes, the project illuminates how the figure of the violent criminal is used to construct—but can also trouble—current ethical-juridical limits of humanity, care, justice, and freedom. Her writing could also be found in venues such as Small Axe: A Journal for Caribbean Criticism, Cultural Anthropology, Multimodality and Society, and American Anthropologist (Public Anthropologies Section)
Welcome received her Ph.D. in cultural anthropology with certificates in urban studies and experimental ethnography from the University of Pennsylvania in 2021. Prior to starting her Ph.D. program, she was trained as an architect at the Fay Jones School of Architecture at the University of Arkansas, Fayetteville, and worked at ACLA Architecture (a design firm in Trinidad) until 2015.
Anthropology of Sovereignty
Caribbean Anthropology
Race and Policing
2024. "On and In Their Bodies: Masculinist Violence, Criminalization and Black Womanhood in Trinidad." Cultural Anthropology 39 (1): 37–63.
2023. “Wading in the Thick: A Sovereign Encounter Through Collage," in Sovereignty Unhinged: An Illustrated Primer for the Study of Present Intensities, Disavowals, and Temporal Derangements edited by Deborah A. Thomas and Joseph Masco. Durham, NC: Duke University Press.
2022. " To Be Black Is to . . . : The Production of Blackness in and beyond Trinidad."Small Axe: A Caribbean Journal of Criticism 26 (2): 108–118.
2021. Welcome, Leniqueca A, and Deborah A. Thomas. “Abstraction, Witnessing, and Repair: or, How Multimodal Research Can Destabilize the Coloniality of the Gaze.” Multimodality & Society 1(3): 391-406.
2020. “The Infrastructures of Liberation at the End of the World: A Reflection on Disaster in the Caribbean.” Small Axe: A Caribbean Journal of Criticism 24 (2): 96–109.
2020. “After the Ash and Rubble are Cleared: Anthropological Work for a Future.” American Anthropologist website, September 22, 2020.